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    <title>Gareths Blog</title>
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    <updated>2026-07-16T19:56:34+12:00</updated>
    <author>
        <name>Gareth Kearins</name>
    </author>
    <id>https://gsnailg.github.io</id>

    <entry>
        <title>The Best Parties are the ones with Friends: Disco Flat Party Number 1</title>
        <author>
            <name>Gareth Kearins</name>
        </author>
        <link href="https://gsnailg.github.io/posts/disco/"/>
        <id>https://gsnailg.github.io/posts/disco/</id>
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            <category term="djing"/>

        <updated>2026-07-16T16:19:00+12:00</updated>
            <summary type="html">
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                    The best party I have ever been at, let alone DJ'd at, was a house disco party with the two projector lighting rig, a real life disco ball, and the best hosts ever.&nbsp;There were some amazing parts of the party and I'll go into detail&hellip;
                ]]>
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        <content type="html">
            <![CDATA[
                    <p><img src="https://gsnailg.github.io/media/posts/6/P1020115.JPG" class="type:primaryImage" alt="" /></p>
                
  <p>
    The best party I have ever been at, let alone DJ'd at, was a house disco party with the two projector lighting rig, a real life disco ball, and the best hosts ever.&nbsp;There were some amazing parts of the party and I'll go into detail with each of them below, show how the stars aligned to create the best night, <em>even if just for a few hours.</em>
  </p>

  <p>
    To create a party and environment for the night, It was quite thought out and planned, which made a fantastic result that I can't wait to apply to further events.
  </p>

    <h1 id="the-dj-setup">
      The DJ Setup
    </h1>

  <p>
    Top of the line CDJ 3000's and 4 Channel Mixers with BeatFX was not quite in the budget. To put it plainly, there was no money to spend whatsoever. I usually rely on Rekordbox for my library, so I used my DDJ-RB, an entry level 2 channel controller. However, DJ/flatmate/neighbour Grace was also keen as to DJ with their Numark NV<code>[1]</code>. This was a 4 channel deck with a screen for each of the two jog wheels. When we messed around beforehand we used the microphone port from Numark and connected it to the output of DDJ-RB. This created a B2B system without the ability to listen to other peoples cues through headphones, which is a really fun way to DJ with others, putting an emphasis on using your ears more than eyes when beatmatching.
  </p>

  <p>
    We also wanted to include the possibility to have a guitar, and an MPC drum machine on the night. Therefore we used a 16 channel audio mixing console which I borrowed from my more musically inclined friend. This was a little bit overkill, but the ability to duplicate outputs was important for the lighting rig, as well as having both sets of indoor speakers, and an outdoor speaker as well. Most of the boogieing and dancing was indoors with the lighting, with the outdoor speakers just for ambience and for those wanting a break.
  </p>

    <h1 id="the-lighting-rig">
      The Lighting Rig
    </h1>

    <figure class="post__image post__image--center">
      <img loading="lazy" src="https://gsnailg.github.io/media/posts/6/20260619_120623_2915468100629062773.jpg" height="3000" width="4000" alt="Projectors on the floor of a living room with sprawled cables on the ground connecting to various bits and bobs."  sizes="(max-width: 1920px) 100vw, 1920px" srcset="https://gsnailg.github.io/media/posts/6/responsive/20260619_120623_2915468100629062773-xs.jpg 640w ,https://gsnailg.github.io/media/posts/6/responsive/20260619_120623_2915468100629062773-sm.jpg 768w ,https://gsnailg.github.io/media/posts/6/responsive/20260619_120623_2915468100629062773-md.jpg 1024w ,https://gsnailg.github.io/media/posts/6/responsive/20260619_120623_2915468100629062773-lg.jpg 1366w ,https://gsnailg.github.io/media/posts/6/responsive/20260619_120623_2915468100629062773-xl.jpg 1600w ,https://gsnailg.github.io/media/posts/6/responsive/20260619_120623_2915468100629062773-2xl.jpg 1920w">
      <figcaption>A dry run of the setup at my flat on the living room floor, before transfering everything to the flat down the driveway.</figcaption>
    </figure>

  <p>
    The lighting rig was comprised of NestDrop Pro on a touchscreen laptop, with a Focusrite audio interface. This interface would be listen to the mixing desk output and increasing or decreasing intensity of the lighting. One projector pointing to a mirror that shined to cover the ceiling. Using a mirror has been a game changer, as previously I would have just pointed the projector directly to the ceiling. The mirror however allows for a more compact setup, with less chance of blinding people.&nbsp;Projectors lose their strength as the picture gets larger, but a large spread of the ceiling is much more impressive than a small but bright square.
  </p>

  <p>
    The secondary projector was pointed at the disco ball, and when given a small spin, would create a coloured spinning atmosphere. While it would have been cool to have it in the centre of the room, there was no place to hang it, so instead we hung it on the curtain rail.
  </p>

    <figure class="post__image post__image--center">
      <img loading="lazy" src="https://gsnailg.github.io/media/posts/6/IMG20260716141847.jpg" height="3000" width="4000" alt="Two guys pointing bottles at the camera. Disco lighting in the background."  sizes="(max-width: 1920px) 100vw, 1920px" srcset="https://gsnailg.github.io/media/posts/6/responsive/IMG20260716141847-xs.jpg 640w ,https://gsnailg.github.io/media/posts/6/responsive/IMG20260716141847-sm.jpg 768w ,https://gsnailg.github.io/media/posts/6/responsive/IMG20260716141847-md.jpg 1024w ,https://gsnailg.github.io/media/posts/6/responsive/IMG20260716141847-lg.jpg 1366w ,https://gsnailg.github.io/media/posts/6/responsive/IMG20260716141847-xl.jpg 1600w ,https://gsnailg.github.io/media/posts/6/responsive/IMG20260716141847-2xl.jpg 1920w">
      <figcaption>Even just with the sunlight, dots of light already bounce off into the room.</figcaption>
    </figure>

    <figure class="post__image post__image--center">
      <img loading="lazy" src="https://gsnailg.github.io/media/posts/6/IMG20260716141902.jpg" height="4000" width="3000" alt=""  sizes="(max-width: 1920px) 100vw, 1920px" srcset="https://gsnailg.github.io/media/posts/6/responsive/IMG20260716141902-xs.jpg 640w ,https://gsnailg.github.io/media/posts/6/responsive/IMG20260716141902-sm.jpg 768w ,https://gsnailg.github.io/media/posts/6/responsive/IMG20260716141902-md.jpg 1024w ,https://gsnailg.github.io/media/posts/6/responsive/IMG20260716141902-lg.jpg 1366w ,https://gsnailg.github.io/media/posts/6/responsive/IMG20260716141902-xl.jpg 1600w ,https://gsnailg.github.io/media/posts/6/responsive/IMG20260716141902-2xl.jpg 1920w">
      <figcaption>Wool yarn wasn't quite strong enough to hold a disco ball to the curtain rail, but the old cables from a broken IEM earplugs work, and are still working 2 months later!</figcaption>
    </figure>

    <h1 id="the-djing">
      The DJing
    </h1>

  <p>
    I will let you in on a wee secret I wasn't proud of. Quite a few of my first sets at clubs or events were completely on rails with each track predetermined. If the crowd didn't particularly like the song, I didn't usually know how to escape or flip to something else. Therefore I was often disconnected from the crowd and couldn't quite cater for every problem or situation. I'm glad to say however that I have proudly gotten out of this rut, and moved on to reading the crowd for the situation. Most DJ's won't get the right song every time, but knowing when to escape and quickly leave behind your problems is important to retain a full dancefloor.<br><br>I say this as this was the first DJ set I had done where I had colour coded my songs based on energy levels, and had a general structure for how to build up energy in the room. My previous gigs at sin did mostly stay free-formed with little to no playlists or structure, but I was not in control of the energy level as much as I could have been.
  </p>

    <figure class="post__image post__image--center">
      <img loading="lazy" src="https://gsnailg.github.io/media/posts/6/energylevels.jpg" height="242" width="192" alt=""  sizes="(max-width: 1920px) 100vw, 1920px" srcset="https://gsnailg.github.io/media/posts/6/responsive/energylevels-xs.jpg 640w ,https://gsnailg.github.io/media/posts/6/responsive/energylevels-sm.jpg 768w ,https://gsnailg.github.io/media/posts/6/responsive/energylevels-md.jpg 1024w ,https://gsnailg.github.io/media/posts/6/responsive/energylevels-lg.jpg 1366w ,https://gsnailg.github.io/media/posts/6/responsive/energylevels-xl.jpg 1600w ,https://gsnailg.github.io/media/posts/6/responsive/energylevels-2xl.jpg 1920w">
      <figcaption>Energy Levels based on colour (Red High, Blue Low).</figcaption>
    </figure>

  <p>
    &nbsp;As well has having my coloured coded energy levels, I also organised three folders of disco music, from Chill Boogie, To Medium and High Boogie. A song can have a Chill Boogie, but still have a really high energy level. This may be due to it being a well known and popular song, or due to it being a fast but quite song, compared to a slow but incredibly busy and high energy song.
  </p>

  <p>
    Overall this helped the night keep a steady increasing pace and increase in energy. Some people may wonder: "<em style="text-decoration-line: underline;">Why don't you just play Peak and Energy maintaining songs all the time?</em>"&nbsp; However, valleys and resets are need in order to make the peaks feel even more special.&nbsp; Playing two "Peak" coloured songs back to back is such an amazing feeling, but playing two hours of peak means that moment is less noticeable.
  </p>

  <p>
    Do not be confused with a song being classed as a "Momentum Builder" or "Opening" as a purposely bad song. That is not the case, as it is just the energy levels I want to control. I wouldn't pick a bad song for any night just to force an energy level low.<br>
<br>The night had me dig through some old disco, but mostly some newer house style stuff. Most songs weren't recognisable, so every so-often I'd spice a song up with an acapella ontop (vocal only track).
  </p>

  <p>
    Tags are useful as they allow me to automatically create playlists similar to how a PHP database may pull files based on characteristics. For example, as seen below I could automatically create or search an old song, that is relatively famous in it's perceived genre. This will make my future set and playlist building way easier and less tedious, allowing me to spend more time practicing and boogieing.
  </p>

    <figure class="post__image post__image--center">
      <img loading="lazy" src="https://gsnailg.github.io/media/posts/6/energyCapture.PNG" height="415" width="324" alt=""  sizes="(max-width: 1920px) 100vw, 1920px" srcset="https://gsnailg.github.io/media/posts/6/responsive/energyCapture-xs.PNG 640w ,https://gsnailg.github.io/media/posts/6/responsive/energyCapture-sm.PNG 768w ,https://gsnailg.github.io/media/posts/6/responsive/energyCapture-md.PNG 1024w ,https://gsnailg.github.io/media/posts/6/responsive/energyCapture-lg.PNG 1366w ,https://gsnailg.github.io/media/posts/6/responsive/energyCapture-xl.PNG 1600w ,https://gsnailg.github.io/media/posts/6/responsive/energyCapture-2xl.PNG 1920w">
      <figcaption>Age and Popularity Filters used to determine the next track and whether people will sing to it.</figcaption>
    </figure>

  <p>
    For more information on tagging and DJ library sorting, check out&nbsp;<a href="https://www.youtube.com/@ReallyChrisM/" title="Chris M" target="_blank">https://www.youtube.com/@ReallyChrisM/</a>'s Youtube channel. A lot of these tips were learned from him and he manages to make these tips easy to consume in mildly comedic videos.
  </p>

  <p>
    Since the party, I also have a forth tagging column used to determine sub-genres. While Rekordbox has a genre category already, it is limited to a single variable (ie Drum and Bass, Disco, House). Multiple tags can be applied however, as you might describe some songs as a liquid Drum and Bass track, but also with a minimal or roller drop somewhere in it.
  </p>

    <h1 id="the-atmosphere">
      The Atmosphere
    </h1>

  <p>
    The kitchen was setup as a welcoming area where you could draw yourself on a shared piece of canvas. The dance space was relatively dark, allowing for a more intimate and less revealing or embarrassing area to boogie at (not that I'd want people at my parties who shame others for absolutely grooving it on the floor). I was really happy to hear that someone who hadn't quite danced before was absolutely moving it on the floor! That truly is the goal at the end of the day.
  </p>

  <p>
    I sent out an hour long teaser mix via a google drive link (see end for link!), in hopes that people were more lenient for music they aren't usually familiar with.
  </p>

    <figure class="post__image post__image--full">
      <img loading="lazy" src="https://gsnailg.github.io/media/posts/6/P1020115-2.JPG" height="3240" width="4320" alt="Dark room with pattern on ceiling lit by projectors. People dancing in room barely visible, with glowsticks around peoples arms and necks."  sizes="(max-width: 1920px) 100vw, 1920px" srcset="https://gsnailg.github.io/media/posts/6/responsive/P1020115-2-xs.JPG 640w ,https://gsnailg.github.io/media/posts/6/responsive/P1020115-2-sm.JPG 768w ,https://gsnailg.github.io/media/posts/6/responsive/P1020115-2-md.JPG 1024w ,https://gsnailg.github.io/media/posts/6/responsive/P1020115-2-lg.JPG 1366w ,https://gsnailg.github.io/media/posts/6/responsive/P1020115-2-xl.JPG 1600w ,https://gsnailg.github.io/media/posts/6/responsive/P1020115-2-2xl.JPG 1920w">
      <figcaption>Glowsticks were important. Probably the most important. Either that or food.</figcaption>
    </figure>

  <p>
    It was a foreign concept at first, but I told the flat that I wanted my back to the crowd, with easy access to the dancefloor. This put less focus on the DJ, and more focus on the lighting and the crowd. It also allows people to come up and yap with me, see what's happening, look at the setup or suggest a song. The disco ball manually had to be spun, so a few people were able to be in charge of that at times.
  </p>

    <h1 id="the-end">
      The End.
    </h1>

  <p>
    The party was going really well from 8:30 till around 10:45 where a noise complaint was formally delivered to our address. As it was a Friday night on the last day of exams, we were a little annoyed to say the least. The enforcement officer was lovely and told us that next time he would have to take away the gear. He legally could not tell us who had complained but he <i>perhaps</i> did look in the general direction of the neighbouring flat in particular. I never liked that flat as they are full of sexist people so they defo weren't boogieing with us.
  </p>

  <p>
    As most of the gear was not mine and borrowed, and with me not hanging around in Christchurch the day after to pay fines or pick up gear if needed, I made the decision to back down and pack-up. This was quite heart breaking as we just started getting into some of the best songs of the night. However, the night held was one of the best nights ever and I hope to recreate and boogie again with the same awesome crew, just perhaps a bit longer that before.
  </p>

    <h1 id="some-of-the-tunes">
      Some of the Tunes
    </h1>

  <p>
    I couldn't chuck every tune here, but if you were at the party on the night or need a song recommendation, flick a message or leave a comment to me.
  </p>

  <p>
    <div class="post__iframe"><iframe loading="lazy" width="100%" height="166" scrolling="no" frameborder="no" allow="autoplay; encrypted-media" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/soundcloud%253Atracks%253A1200159256&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true"></iframe></div> This track walks a fine line around the French House genre like a baguette with a visa. Scoff all you want, but the TrackMania Wii soundtrack has some incredible gems and this is one of them.<div style="font-size: 10px; color: rgb(204, 204, 204); line-break: anywhere; word-break: normal; overflow: hidden; text-wrap-mode: nowrap; text-overflow: ellipsis; font-family: Interstate, &quot;Lucida Grande&quot;, &quot;Lucida Sans Unicode&quot;, &quot;Lucida Sans&quot;, Garuda, Verdana, Tahoma, sans-serif;"></div>
  </p>

  <p>
    <div class="post__iframe"><iframe loading="lazy" src="https://bandcamp.com/EmbeddedPlayer/album=3800959323/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/" seamless="" style="font-size: 1em; border-width: 0px; border-style: initial; width: 100%; height: 120px;"></iframe></div><br>Soulsearcher's song I sadly didn't get to play before the noise control shutdown, as I was leaving it as one of the last songs of the&nbsp; Pure fun is all I can say. It's uplifting rhodes piano is incredible throughout the song.
  </p>

  <p>
    <div class="post__iframe"><iframe loading="lazy" style="border-width: 0px; border-style: initial; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/album=776862184/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/track=1173464980/transparent=true/" seamless=""><a href="https://classicmusiccompany.bandcamp.com/album/i-dont-have-a-drum-machine">I Don&#39;t Have A Drum Machine by Yuksek</a></iframe></div><br>The funky clav and bongos keeps this groove going and, again, I sadly didn't get to play this song as I had kept it for the end. The build-up from 3:11 to 3:36 with the pitching up synth would have genuinely lifted the floor (if we all started crouching). The album cover on this one is also beautiful (if your on mobile your gonna have swap to a laptop to see it sorry).
  </p>

  <p>
    <div class="post__iframe"><iframe loading="lazy" style="border-width: 0px; border-style: initial; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/album=327446016/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/track=2449507221/transparent=true/" seamless=""><a href="https://glitterboxrecordings.bandcamp.com/album/dimitri-from-paris-presents-le-chic-remix">Dimitri From Paris presents Le CHIC Remix by CHIC</a></iframe></div><br>This is a song with an even better extended version thanks to Dimitri From Paris, with a wonderful intro to blend and tease into other songs. This will forever be a weapon I will use.
  </p>

  <p>
    <div class="post__iframe"><iframe loading="lazy" style="border-width: 0px; border-style: initial; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/album=709631274/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/track=906477658/transparent=true/" seamless=""><a href="https://saintpepsi.bandcamp.com/album/local-singles">Local Singles by SAINT PEPSI</a></iframe></div>If Amtrac made disco house, I think this would be in the same carpark. We Belong Together is definitely a more modern dance-house track than disco, but it's arpeggiated synth in the chorus, the amen vocal chops, and the main vocals in the later half, make this a fun song I'll keep for future occasions. It feels fast but it's energy level makes this flexible for both the higher energy moments, or the lower energy cooldowns of the night.
  </p>

  <p>
    <div class="post__iframe"><iframe loading="lazy" style="border-width: 0px; border-style: initial; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/album=1766225431/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/track=2882521540/transparent=true/" seamless=""><a href="https://thediscoexpress.bandcamp.com/album/xpress-edits-vol-18-christmas-crackers-vol-3">XPRESS Edits Vol.18: &#39;Christmas Crackers Vol.3&#39; by Various Artists</a></iframe></div>The "My system" vocal appears in so many genres, but does it justice in this fast paced dance track. This is really high energy and I honestly love it so much. It's clearly been made for DJing with large breaks and extended drums, and every time I play it, I feel like it's incredibly fun.<br>
  </p>

  <p>
    <div class="post__iframe"><iframe loading="lazy" width="100%" height="166" scrolling="no" frameborder="no" allow="autoplay; encrypted-media" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/soundcloud%253Atracks%253A326976738&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true"></iframe></div>This song is a bit of a boogie too. Not sure how to describe it. I know its a remix but that's about as far as I know. I feel guilty for not knowing the origins of the song.<div style="font-size: 10px; color: rgb(204, 204, 204); line-break: anywhere; word-break: normal; overflow: hidden; text-wrap-mode: nowrap; text-overflow: ellipsis; font-family: Interstate, &quot;Lucida Grande&quot;, &quot;Lucida Sans Unicode&quot;, &quot;Lucida Sans&quot;, Garuda, Verdana, Tahoma, sans-serif;"></div>
  </p>

  <p>
    <div class="post__iframe"><iframe loading="lazy" style="border-width: 0px; border-style: initial; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/album=2390376832/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/track=3781267972/transparent=true/" seamless=""></iframe></div>The final track to leave you on isn't quite a disco track either, but Dam Swindles entire album Open is really well crafted. Kiki feat. LYMA is probably the one that has enough the highest groove for the party, but would feel like a turning point or a mood change if I did play it. The build up to the borderline minimal drop was so good the first time I heard it, and continues to be fun every time!
  </p>

    <h2 id="thanks-for-reading">
      Thanks for reading
    </h2>

  <p>
    Missed out on the party? I have a one hour long DJ mix available&nbsp;<a href="https://drive.google.com/file/d/1EBANnDJyJ2gS0eVIuO3gvUmBaS9dSYmY/view?usp=drive_link">here</a>, which was sent to the guests as mentioned above.
  </p>

    <h5 id="footnotes">
      Footnotes
    </h5>

  <p>
    [^1] Also used by the wonderful "DJ Fucked".
  </p>
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